Movies and TV

วันอังคารที่ 5 เมษายน พ.ศ. 2554

What If



Fifteen years ago, Ben Walker (Kevin Sorbo) made a decision to leave his college sweetheart Wendy (Kristy Swanson), and ultimately his faith, in order to pursue a lucrative business opportunity. Now on the verge of marriage to an equally materialistic fiance, he is visited by an angelic mechanic (John Ratzenberger) who tells him that he needs to see what his life would have been like had he followed Gods calling. Suddenly, Ben finds himself married to Wendy with two daughters, including a rebellious teen (Debby Ryan), getting ready for church on a Sunday morning, where he's scheduled to give his first sermon as the new pastor. If Ben wants to get back to his old life, he must first learn to appreciate the value of faith and family, and perhaps rediscover the love of his life. In the tradition of It's a Wonderful Life and The Family Man, What If tells the story of a man whose glimpse into what he's missing reminds him of what he truly wants.

What If received the "Dove Foundation's Family Seal of Approval" with 5 out of 5 Doves and was also awarded the Parent's Television Councils PTC seal of Approvalâ„¢.

From Jerry Jenkins, the author of Left Behind. Named by Movieguide as one of the "Top Ten Family Movies of 2010."

Special Features: Behind the Scenes, Director's Commentary, Closed Captioning, Dolby Digital.


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Ken Burns: The Civil War - Commemorative Edition



Ken Burns' Emmy Award-winning documentary brings to life America's most destructive - and defining - conflict. The Civil War is the saga of celebrated generals and ordinary soldiers, a heroic and transcendent president and a country that had to divide itself in two in order to become one. The 150th Anniversary Six Disc DVD set includes never-before-seen special features including new interview with Ken Burns, Shelby Foote interview outtakes, and a bonus 16-page collector's booklet featuring a selection of photos and battle details.


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The Next Three Days (Blu-ray/DVD Combo + Digital Copy)



Life seems perfect for John Brennan until his wife, Lara, is arrested for a murder she says she didn’t commit. Three years into her sentence, John is struggling to hold his family together, raising their son and teaching at college while he pursues every means available to prove her innocence. With the rejection of their final appeal, Lara becomes suicidal and John decides there is only one possible, bearable solution: to break his wife out of prison. Refusing to be deterred by impossible odds or his own inexperience, John devises an elaborate escape plot and plunges into a dangerous and unfamiliar world, ultimately risking everything for the woman he loves. Lionsgate presents a Hwy 61 Films / Lionsgate production. The Next Three Days stars Russell Crowe, Elizabeth Banks, Brian Dennehy, Olivia Wilde and Liam Neeson, and is directed by Paul Haggis from a screenplay by Paul Haggis. The Next Three Days is produced by Michael Nozik and Paul Haggis, and Olivier Delbosc and Marc Missonnier.
The powerful presence of Russell Crowe and the skillful writing and directing of Paul Haggis (Crash) give The Next Three Days an emotional heft to match its taut suspense. Schoolteacher John Brennan (Crowe) is stunned when his wife Laura (Elizabeth Banks, W.) is sentenced to life imprisonment for murder. As he watches her emotional decline behind bars, he becomes determined to break her out of prison--and The Next Three Days tracks his meticulous efforts, including wrong turns that threaten to capsize everything. The movie is most compelling in how it follows Brennan's wrenching emotional changes. He's not some cold, focused secret agent--he's torn between his painful devotion to his wife and the frightening possibility of what could go wrong, including the possible cost to their son. The outstanding supporting cast includes Liam Neeson, Brian Dennehy, and rapper RZA, but the vast majority of the movie rests on Crowe's shoulders and he carries it like an athlete. There's something deeply physical about Crowe's performances--his emotions seem to fill his entire body, even as his expressions are incredibly subtle. It's a gripping performance by a remarkable actor, anchoring a well-conceived and engaging thriller. --Bret Fetzer

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Grease (Rockin' Rydell Edition)



John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy, Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll!
Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

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Black Swan [Blu-ray]



A BALLET DANCER WINS THE LEAD IN SWAN LAKE AND IS PERFECT FOR THE ROLE OF THE DELICATE WHITE SWAN - PRINCESS ODETTE - BUT SLOWLY LOSES HER MIND AS SHE BECOMES MORE AND MORE LIKE ODILE THE BLACK SWAN, DAUGHTER OF AN EVIL MAGICIAN.
Feverish worlds such as espionage and warfare have nothing on the hothouse realm of ballet, as director Darren Aronofsky makes clear in Black Swan, his over-the-top delve into a particularly fraught production of Swan Lake. At the very moment hard-working ballerina Nina (Natalie Portman) lands the plum role of the White Swan, her company director (Vincent Cassel) informs her that she'll also play the Black Swan--and while Nina's precise, almost virginal technique will serve her well in the former role, the latter will require a looser, lustier attack. The strain of reaching within herself for these feelings, along with nattering comments from her mother (Barbara Hershey) and the perceived rivalry from a new dancer (Mila Kunis), are enough to make anybody crack… and tracing out the fault lines of Nina's breakdown is right in Aronofsky's wheelhouse. Those cracks are broad indeed, as Nina's psychological instability is telegraphed with blunt-force emphasis in this neurotic roller-coaster ride. The characters are stick figures--literally, in the case of the dancers, but also as single-note stereotypes in the horror show: witchy bad mommy, sexually intimidating male boss, wacko diva (Winona Ryder, as the prima ballerina Nina is replacing). Yet the film does work up some crazed momentum (and undeniably earned its share of critical raves), and the final sequence is one juicy curtain-dropper. A good part of the reason for this is the superbly all-or-nothing performance by Natalie Portman, who packs an enormous amount of ferocity into her small body. Kudos, too, to Tchaikovsky's incredibly durable music, which has meshed well with psychological horror at least since being excerpted for the memorably moody opening credits of the 1931 Dracula, another pirouette through the dark side. --Robert Horton

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No Strings Attached



No Strings Attached asks the question, "Could you do it?" Meaning, could you have a strictly physical relationship with Natalie Portman or Ashton Kutcher--and not start to fall for them? Under the deft direction of Ivan Reitman, No Strings Attached delivers a surprisingly sophisticated twist on the sex comedy genre, with much more nuance than a viewer might expect. The leads are perfectly cast. Portman is light and wily, a natural for romantic comedies; Kutcher, always charming, has rarely been sexier. The chemistry between their characters, Emma and Adam, is palpable and practically jumps off the screen. (Note to parents: There is a strong raunch factor in No Strings Attached; it's definitely not for younger viewers.) The premise is an age-old one--can good friends become "friends with benefits" without anyone's developing feelings--or getting one's feelings hurt? The answers are less interesting than the frothy journey taken by No Strings Attached. A key reason is the script and great direction. And the supporting cast, including Kevin Kline in a welcome return to films, who plays Adam's randy, pot-smoking dad who hooks up with one of Adam's exes. (Kline also contributes a song to the endearing soundtrack.) At times No Strings Attached is so crudely intimate that the viewer almost feels like an intruder on Emma and Adam's private moments. But that trick tends to make the movie that much more believable. No Strings Attached is a frothy, fun comedy, and a perfect date movie--but probably not a first date movie. --A.T. Hurley


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No Strings Attached (Two-Disc Blu-ray/DVD Combo + Digital Copy)



No Strings Attached asks the question, "Could you do it?" Meaning, could you have a strictly physical relationship with Natalie Portman or Ashton Kutcher--and not start to fall for them? Under the deft direction of Ivan Reitman, No Strings Attached delivers a surprisingly sophisticated twist on the sex comedy genre, with much more nuance than a viewer might expect. The leads are perfectly cast. Portman is light and wily, a natural for romantic comedies; Kutcher, always charming, has rarely been sexier. The chemistry between their characters, Emma and Adam, is palpable and practically jumps off the screen. (Note to parents: There is a strong raunch factor in No Strings Attached; it's definitely not for younger viewers.) The premise is an age-old one--can good friends become "friends with benefits" without anyone's developing feelings--or getting one's feelings hurt? The answers are less interesting than the frothy journey taken by No Strings Attached. A key reason is the script and great direction. And the supporting cast, including Kevin Kline in a welcome return to films, who plays Adam's randy, pot-smoking dad who hooks up with one of Adam's exes. (Kline also contributes a song to the endearing soundtrack.) At times No Strings Attached is so crudely intimate that the viewer almost feels like an intruder on Emma and Adam's private moments. But that trick tends to make the movie that much more believable. No Strings Attached is a frothy, fun comedy, and a perfect date movie--but probably not a first date movie. --A.T. Hurley


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